I am Dr. Stephen L’Normand, I occupy a place in a Duodecian, as one of twelve Guild Masters in the world.  My doctoral research was in the field of sacramental geometry and metaphysics in architectural design.  As Master Stonemason, I have worked on some of the most prestigious, protected and unique buildings worldwide, including: Doge’s Palace, Venice, Somerset House, Queen’s House, Greenwich and Windsor Castle.  I was awarded a Blue Ribbon from The Academy of Free Stonemasons for his time as Master of Works at Stoneleigh Abbey. n a career spanning five decades, I have worked at the highest levels in 47 countries. I have been fortunate to collaborate with individuals who have enriched my knowledge and skills, as well as for clients and patrons who have allowed me to refine these techniques. These include European and Middle Eastern Royal families, a Pope, a Dastūr, National and City governments and many more. I am regarded to be the finest living English Baroque stone carver and have produced fine stone pieces for an extensive portfolio of notable clients.  I have devoted recent years to the protection and development of training in stonemasonry and stone carving in several countries and I am now based in the UK, where I oversees the training of a select group of Guild stonemasonry apprentices.  

During the early years of my career, I actively sought out skilled craftspeople and craft artists who usually generously shared their knowledge with me, whether it was a specific technique, a story, or simply allowing me to watch them at work. Many of these individuals have since passed away, and without the interest of people like myself, much of their knowledge would have been lost.

As a Master craftsman teaching craftspeople, the style is predominantly hands-on and practical, focusing on demonstrating skills and techniques rather than merely describing them. Guild masters are chosen based not only on their mastery of the craft but also for their proficiency in effectively teaching diverse groups. We must offer popular entertainment based content and also Scientific presentation with a balanced approach, using scientific explanation; experimentation; measurement and quantification and evidence-based science.

My course through the international craft world has been filled with contradictions, encompassing both ancient traditions and cutting-edge innovations. It has been punctuated by moments of humour and occasional terror, joys and sorrows, from the repetition of craft training to eureka moments. I have learned from the perseverance and repetitive practices of some, and the sparkling intellectual creativity in the presence of greatness. 

Through my collaboration with the Guilds who supported me, especially in my early years, I now share the knowledge I have acquired through a series of tailored practical craft, theoretical and academic talks, lectures and workshops.

Please find below information on a series of Programmes, Courses and Workshops I regularly give or for information on other topics, please feel free to contact us.